The primary goal of our method is not simply shapes but is about those musical orientations all over them. We’re also firmly saying that we don’t want to put rote mechanics before you: the music is the target and we might ask: if you consider that a goal can be in becoming familiar with the notes on the fretboard “like seeing the numbers on the diagrams” then we’d answer by saying that you can get there with our method. But then we’re also going to break them all down, and discover orientations in them. Our method may certainly seem to be focused on something about shapes: our books provide a very nice toolkit in large clear charts. The introduction will begin to break down how we find so many musical tools in the "shapes" - and it is a n integral component of the whole method.
We have made the full method I ntroduction available online for free here. You will feel confident in the music on the fretboard, and all of the diagrams are just a consequence of that. That's part of why we've said that we won't simply give you rote scales or chords: instead, our method "builds out" all of these components, and there is no "one way street" in anything we provide for you neither musically, nor in the diagrams. Our method is also built a bit like a "toolkit" in that you will be able to use any part of it in many different contexts. ② W hat you see in all of the diagrams comes out of our easy method and is at your disposal. ① You'll find an excellent set of clear charts that give you all the chords and grips at every fret on the whole neck.
Our method covers all of the musical components. Every book then also includes our complete method. For the particular scale, the book includes a collection of dozens of large diagrams and each one is given in all chords, and all modes for that scale. The book is delivered in two parts and is available for many scales.